His debut album, Handmade Cities, which Vai described as one of the finest, forward-thinking, melodic, rhythmically and harmonically deep instrumental guitar records ever heard, was released in 2016. Plini has released a trilogy of EPs Other Things and Sweet Nothings in 2013, The End of Everything in 2015.
PLINI CLOUDBURST FREE
25: free to Plini Trilogy: Other Things, Sweet Nothings, The End of Everything Heart, Other Things and more. Everything else written, performed & mixed by Plini. Artwork by Alex Pryle at Dead Crown Design. Guest appearances by CHRIS LETCHFORD guitar solo on The End Of Everything, JAKUB ZYTECKI guitar solo on Paper Moon and GARY HOLGATE double bass on Wombat Astronaut. Paper Moon The final episode in the EP Trilogy Featuring MARCO MINNEMANN Joe Satriani, Steven Wilson, The Aristocrats on drums, SIMON GROVE The Helix Nebula on bass, and LUKE MARTIN on piano. The End Of Everything by Plini, released 11 March 2015 1. According to the manufacturer "Originally, Plini wanted to include this song on the vinyl, then we all changed our minds - but forgot to remove it from the layout!". The jacket lists the final track as Cloudburst. There is a misprint on the back of the jacket for the Sweet Nothings Ep. Clear Records w/ two-tone splatter (3 different variations)
PLINI CLOUDBURST FULL
Full Colour Lift Off Lid, Black Flood on Inside, Anti-Scratch Matte Lamination, UV Spot Gloss Moon on Box Lid, Belted w/ 2" Moon Obi Strip
Knight will shred your ears off on nearly every track with solos that are elaborate, beautiful, and often neo-classical.Wombat Astronaut (Beyond The Burrow) Double Bass – Gary HolgateWritten By – Luke Martin It seemed like ex-Arsis guitarist Ryan Knight was still trying to find his place in the band on the past two albums, but he definitely shines here.
Undoubtedly the most pleasant surprise about this album is the soloing. Strnad certainly has a poetic way of writing lyrics and on “Everblack” they are as eloquently dark as ever. Beloved bassist Bart Williams also has departed from the band, but Max Lavelle holds his own on the album and lays down the thick, grimy tone Williams had provided for nearly a decade.īasically everything you’ve come to expect from a Black Dahlia Murder album is here: it’s crushing, melodic, fast paced, and unrelenting. While they each have different styles, Cassidy seems like a good fit. I wasn’t sure what to expect with Lucas gone (let’s face it, Lucas’ drumwork on his three albums with BDM was frightening), but Alan Cassidy steps in to take the sticks and he does not disappoint. Throughout the album, guitarists Brian Eschbach and Ryan Knight team up for a masterpiece as they fly through lightening speed riffs, brutal verse breakdown sections, and the ridiculous solos that we’ve come to expect from BDM.Īs most fans know, the band has recently lost their drummer Shannon Lucas who was a mammoth behind the kit and idolized all over the metal world for being a top-rank drummer.
The album starts out with a slow, very nontraditional intro for BDM that eventually explodes with Trevor Strnads’s unmistakeable vocals and you know you’re listening to The Black Dahlia Murder.
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